The Final Frontier (engl. für: „Die letzte Grenze“) ist das Studioalbum der britischen Heavy-Metal-Band Iron Maiden. Es erschien am August in. Erfahre alles über das Album von Iron Maiden ✅ Hintergrundinfos, Fan Facts und vieles mehr zu The Final Frontier ✅ Jetzt im EMP Wiki. Die LP Iron Maiden: The Final Frontier (remastered ) (Limited-Edition) jetzt portofrei kaufen. Mehr von Iron Maiden gibt es im Shop.
Übersetzung für "the final frontier" im DeutschThe Final Frontier ( Remaster) - Iron Maiden: scemploymentlaw.com: Musik. Die wichtigsten Fakten ohne Vorgeplänkel: Ja, „The Final Frontier" ist ein starkes Album geworden. Stärker als „Dance Of Death", in etwa genauso gut wie „A. Many translated example sentences containing "final frontier" – German-English dictionary and search engine for German translations.
The Final Frontier Navigation menu VideoIron Maiden - Intro (Satellite 15) + The Final Frontier (En Vivo!) [HD]
Both men called the actors back as many as two or three times before each role was cast. Bryant was playing ping pong at a beach party when a casting director offered him the role.
Bryant performed his audition twice, as Shatner requested that he repeat his performance speaking in Klingon. Williams-Crosby thought Vixis was Kirk's girlfriend when she arrived for her audition, but recalled afterwards that it was "fun" to play a villain.
The director originally intended George Murdock to play the Klingon diplomat Korrd, but changed his mind on seeing Cooper's performance.
Murdock was recast as the "God" entity. During the —69 Star Trek television series, Shatner and Nimoy's lawyers drafted what Shatner termed a " favored nations clause", with the result that whatever Shatner received—e.
Shatner had previously directed plays and television episodes;  when he signed on for The Voyage Home following a pay dispute, Shatner was promised he could direct the next film.
Shatner conceived his idea for the film's story before he was officially given the director's job. His inspiration was televangelists ; "They [the televangelists] were repulsive, strangely horrifying, and yet I became absolutely fascinated," he recalled.
The televangelists formed the basis for the character Zar, later Sybok. Shatner's first outline  was titled An Act of Love ,  and many of its elements—the Yosemite vacation, the abduction of Klingon, human and Romulan hostages on the failed paradise planet—survived to the final film.
Kirk feigns acceptance of Zar's beliefs to travel with him to the God planet, which to Shatner would be a desolate, fiery waste. Kirk eludes capture but goes back to save his friends from being carried away to Hell.
Producer Harve Bennett was exhausted by his work on the previous three Star Trek films and wanted to move on, feeling that he was not part of the Star Trek "family" and that he had been mistreated by Nimoy.
After several hours of discussion Bennett agreed to return. Bennett also told Shatner that the film had the feeling of a tone poem rather than an adventure story.
Shatner and Bennett began reworking the story. Concerned that knowing the renegade Sybok's motivation from the beginning of the story was anticlimactic, the team moved the revelation to later in the story.
Shatner said that Bennett also suggested turning the God entity into an "evil alien pretending to be God for his own gain". Not everyone was happy with the story.
Star Trek creator Gene Roddenberry objected to the characters' search for God in general, and more particularly, the idea of a God as portrayed by Western religion.
One of Roddenberry's employees suggested some of his employer's animosity towards the story stemmed back to Star Trek: The Motion Picture.
Roddenberry had wanted to approach that film with similar ideas that investigated the nature of God but was rejected by Paramount.
Loughery stopped work on the script when the Writers Guild of America went on strike , and the production was further delayed when Nimoy began working on another project.
When the writers' strike ended Loughery returned to work on the script while Shatner flew to the Himalayas for a job. When he returned, he felt betrayed by Loughery's revisions, which he felt transformed the search for God into the search for the mythical paradise Sha Ka Ree—a word play on "Sean Connery", whom they wanted for Sybok's role.
Though Shatner convinced Bennett and Loughery to revise much of the script, Sha Ka Ree remained; it was changed to a place of ultimate knowledge of which Sybok had received visions.
While Roddenberry, Kelley and Nimoy gave their approval to the revised script, Paramount was concerned that the film would go over-budget as written and ordered cuts.
Shatner's envisioned angels and demons at the film's climax were converted to rock monsters that the false god would animate from the earth.
Shatner wanted six of the creatures, but was forced to accept just one. Nilo Rodis, who had worked on two previous Star Trek features, was appointed the role of art director , and worked with Shatner to establish the film's visual design.
Shatner sought a grittier and more realistic feel to the Star Trek universe, and so the two worked together to visualize the film from start to finish.
Shatner was pleased with the results, especially with Rodis' designs for Shatner's most expansive or dramatic shots.
Rodis' input in developing the early character and costume designs was significant. Shatner praised his costume designs as being futuristic but plausible and in keeping with the continuity established in previous Star Trek films.
Bennett hired Dodie Shepard as the costume supervisor; Shepard's role was to oversee the costume fabrication and keep track of the clothes during filming.
Rodis and Shatner also drew up sketches of what the various aliens seen in the film would look like. Shatner picked Kenny Myers as the special-effects makeup artist.
Myers discussed the sketches with Shatner and made casts of actors' faces using dental alginate. Shatner hired Herman Zimmerman as production designer.
At one point, he was building five sets at once. Zimmerman created a sketch of the town's layout over three days, drawing inspiration from a circular Moroccan fortress.
Tim Downs scouted possible areas for location filming. He looked for a location that could stand in for three different venues without the production having to move or change hotels: the film's opening scene; the God planet's establishing shots; and the Nimbus III Paradise City.
Downs was familiar with the Mojave desert and thought that locations near Ridgecrest, California , would serve the production's needs, so he took photos based on sketches Rodis had provided of what the locations might look like.
Downs also shot photos with filters and tried to accomplish dust effects with his car to replicate ideas for how some sequences would be shot.
Principal photography began in October , in and around Los Angeles, California. After one of the production's camera trucks exploded in the studio parking lot, the non-union drivers headed to Yosemite National Park under cover of darkness with a police escort.
The film's Yosemite scenes were all shot on location. The overhead shot gave the impression Kirk was climbing at a great height, while unnatural background features such as swimming pools were camouflaged.
In the scene, Spock watches Kirk's ascent, levitates up behind him as a pest giving suggestions with the outcome that Kirk slips and Spock has to saves him using levitating boots.
Bluescreen footage of Shatner falling was shot later at Paramount and composited, while stuntman Ken Bates set a record for the highest American descender fall by plummeting off El Capitan —with a wire support rig—for long shots.
The scenes had to be reshot later. After the Yosemite shots, location shooting moved to desert locales. The town was created as a haphazard collection of spaceship parts and futuristic scrap.
Shatner called the resulting half-jogging pace of the dehydrated extras "the Sybok shuffle". The production spent three more weeks filming the rest of the desert scenes, finishing the last night scene shortly before sunrise and the trip back to Los Angeles.
At Paramount, the crew filmed all the scenes that would take place on soundstages, including the Enterprise and Bird-of-Prey sets, the Paradise City interiors, and the campfire location.
Production was smoother on set, and the crew shot scenes ahead of schedule. The crew fabricated a stand-in set for the God planet location, where additional scenes were filmed to combine with the location footage.
Shatner scheduled the campfire scenes to be the last ones shot, after which the cast and crew had a small celebration before a traditional wrap party later.
Shatner returned to Paramount Studios a few days after principal photography had wrapped to organize the film's post-production schedule.
Shatner recalled that the film received praise and left the screening "reveling" in its reception; it turned out to be a "momentary victory" once he saw the special effects.
During the writers' strike, producer Ralph Winter confronted what writer Paul Mandell termed an "unenviable" effects situation.
With a stretched budget and short timeframe, Winter had to look elsewhere. The producers solicited test footage from various effects houses to judge which was best able to create the film's main effects, including the planet Sha Ka Ree and the godlike being which resided there.
Bran Ferren 's effects company Associates and Ferren was picked. Associates and Ferren had three months to complete the effects work—around half the usual industry timeframe.
Shatner insisted on viewing much test footage before he proceeded with each shot, requesting time-consuming changes if he did not like an effect.
The studio called a meeting with executives and began cutting out effects shots. To reduce the optical effects workload, Ferren rejected bluescreen compositing, opting instead for rear projection.
This cheaper process, he reasoned, would save time, and would make sense for elements such as the Enterprise ' s bridge viewer, where compositing would lack the softness of a real transmitted image.
The rock monster climax of the film was ultimately dropped due to difficulties during filming. Effects personnel smoked cigarettes and blew smoke into the suit's tubing,  loading it with smoke that it would slowly emit, obscuring some obvious rubber parts.
On the last day of location shooting, the Rockman began suffering mechanical problems; the suit stopped breathing fire, and the desert wind dissipated the smoke.
Having been deployed several times to including a tour in Afghanistan, two tours in Qatar, and two tours in Iraq, Jones is no stranger to globetrotting.
He is scheduled to deploy once again next year, but this deployment will be different than any he has been on before. Breaking new ground is not the only thing Jones is interested in though.
However, his main reason for volunteering was simple. Generally now [officers] move every two to three years. But at U. Alternate Versions.
Rate This. Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy.
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You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: William Shatner Kirk Leonard Nimoy Spock DeForest Kelley McCoy James Doohan Scotty Walter Koenig Chekov Nichelle Nichols Uhura George Takei Sulu David Warner John Talbot Laurence Luckinbill Retrieved 26 February Metal Hammer.
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Retrieved 25 September Rock Sound. Retrieved 30 July Retrieved 12 July Retrieved 23 AugustThe Final Frontier ist das Studioalbum der britischen Heavy-Metal-Band Iron Maiden. Es erschien am August in Europa und am August in Nordamerika. Produzent des Albums war erneut Kevin Shirley, Co-Produzent war Steve Harris. The Final Frontier (engl. für: „Die letzte Grenze“) ist das Studioalbum der britischen Heavy-Metal-Band Iron Maiden. Es erschien am August in. The Final Frontier das erschienene dritte Studioalbum der US-amerikanischen Metal-Band Keel. Inhaltsverzeichnis. 1 Hintergrund; 2 Rezeption; 3 Titelliste. The Final Frontier ( Remaster) - Iron Maiden: scemploymentlaw.com: Musik. The Final Frontier — п'ятнадцятий студійний альбом англійської групи Iron Maiden, який був випущений 13 серпня scemploymentlaw.comвець: Iron Maiden. 11/24/ · The Final Frontier. By Airman 1st Class Drew Cyburt, 27th Special Operations Wing Public Affairs / Published November 24, PHOTO DETAILS / DOWNLOAD HI-RES 1 of 5 (U.S. Air Force graphic created by Airman 1st Class Drew Cyburt) PHOTO DETAILS / DOWNLOAD HI-RES 2 of 5. Captain Steven Jones, 43rd Intelligence Squadron operations training and. John Talbot. General Korrd orders Klaa to stand down and to apologise to Kirk for his actions. Archived from the original on 23 July Sybok uses his unique ability to reveal and heal the innermost pain of a person through the mind meld to subvert the hostages' and crew members' wills. Archived from the original on July 24, Many reviewers, such as Metal Hammerdeemed it "a demanding album, but one that most Maiden fans are going to absolutely adore". This cheaper process, he reasoned, would save Pferdespiele Kostenlos Online Spielen Ohne Anmeldung, and would make sense for elements such as the Enterprise ' s bridge JuneS Journey Pc, where compositing would lack the softness of a real transmitted image. January Kirk is camping with First Officer Spock and Dr. Though Shatner convinced Bennett and Loughery to revise much of the script, Sha Ka Ree remained; it was changed to a place of ultimate knowledge Leovegas Com which Sybok had received visions. Janick Gers Harris Dickinson. It was re-released on DVD as a 2-Disc Special Collector's Edition Exodus Wallet Test October 14,with bonus extras added, including footage of the principal photography wrap press conference, Aktionscode 888 Poker interview with Shatner the day before filming began, a retrospective documentary and The Final Frontier commentary track by Shatner and his Joe Hachem Liz. Brave Words and Bloody Knuckles. Bennett also told Shatner that the film had the feeling of a tone poem rather than an adventure story. Retrieved 22 January Bald Englisch man als Maiden-Fan viel mehr verlangen? With strong shields Apres Ski Kitzbühel a powerful sensor suite, the Daedalus-class is well equipped for missions of research and exploration in Kicket final frontier. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Spanien - unendliche Weiten.